Dreamland is traveling the world film festivals, just finished in Ireland, Transylvania, Warsawa, Tel Aviv, Toronto and Moscow. Also it has been screened by Cinema Politica in Canada and Sweden. You can follow Dreamland here on Facebook: http://www.facebook.com/Draumalandid

At the screenings of Dreamland at the Toronto HotDocs Film Festival director Andri Snær Magnason gave out some bottles of pure volcanic ash from Eyjafjallajökull. The winners were those with the best questions at the Q&A. The bottles were signed by Jónsi that just performed in Toronto, Alex – Jónsi’s boyfriend and Andri. The idea comes from Dee Shanger – he is a member of the charity group, “Promoters Without Borders”. You can buy ash here at www.nammi.is and support the locals under the ash cloud. At the same site you can also buy Dreamland, the book in Icelandic and English, the film with English subtitles and voiceover and the soundtrack by Valgeir Sigurðsson.

When I went to see the volcano in march I was astonished how small and human the scale of it was. You could come very close. The volcano was warm like a camp fire, the sound like a heartbeat, the lava like breaking glass. It was extremely romantic in the night under northern lights. If you look at my video – you will see that it spewed almost no ash, just a small white puffy cloud. It was a nice volcano – or a sleeping dragon – or it was just the birth of something larger.

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This is the first time I see a volcanic eruption. Like seeing a prehistoric creature. One curious thing is the sound. What does a volcano sound like? They are probably very different, but this is a very nice volcano. You can hear the sound a few kilometers away, like a pulse, like a heavy breath, a breathing dragon. Even in my low quality camera, the sound comes through quite close to reality. And strangely it is not overwhelming up close, a running diesel engine will ruin the acoustics. It’s very ambient, on a very human scale, but also hypnotic with the gushing red lava that the eyes see, but somehow the brain does not comprehend. Boiling rocks – they are there, the stuff stars are made of  - but you do not really understand. The volcano does not roar like thunder, it’s nothing like the power of standing by a roaring waterfall and it does not explode like fireworks or a bomb. When lava meets ice we see steamy explosions, but compared to new years eve in Reykjavik, the eruption is a relatively silent event. The volcano throws heavy molten rocks a hundred meters up into the air, but there is no bang when they land, just thumps and the pulsing strokes of bubbling molten earth. The ash sometimes falls on your head. Once in a while you will hear a heavier thump followed by a high spray of lava. The volcano has a bass like whipping woofer sound. You can hear it in in the middle of the video. The closest sound I could think of is the beat you hear from a pregnant woman’s belly. (Trust me on this I have four children). The whipping whooshing sounds as heard through the doppler device. So mother earth metaphors are not so far fetched. But the volcano is slower – not 150 beats per minute, probably closer to 50. I went up there with my friend Christopher Lund, more pictures can be seen here: www.chris.is and on the National Geographic website.

Compare for yourself here. A randomly picked doppler fetal sound on youtube.

Draumalandið – (Dreamland) the music by Valgeir Sigurðsson has been published by the Bedroom Community.

Here above you can see music samples cut to parts of the film. Valgeir Sigurðsson has made his name as an exponent of musical subtlety. As an engineer and producer, he’s often focused on the intimate, the miniature. On his solo debut Ekvílibríum, his songwriting and composition tended towards the muted or the oblique. His best-known work is punctuated with question marks and ellipses, and not so many exclamation points.

But this is only one side of his musical capabilites. Draumalandið (“Dreamland”), a documentary about the exploitation of Iceland’s natural resources, tells a story about huge things—the fortunes of a whole nation; the destruction of vast landscapes; and the global economic forces, greater still than any nation, that fuel it all—and for his soundtrack to the film, Valgeir has brought out a heavier set of tools. His entire roster of Bedroom Community labelmates contributes in some way to the creation of the score: classical composers Nico Muhly and Daníel Bjarnason, industrial wizard Ben Frost, and American folksinger Sam Amidon, along with a host of others, and the small orchestra assembled for the record swells from moments of expansive beauty into massive, surging symphonic force. Its harmonies are anxious, pulsing, driven.  

February 28. 2010. Andri Snær Magnason’s Acceptance speech – at the Kairos Award Ceremony of the Alfred Toepfer Stiftung F.V.S in Hamburg. 

Dear Ladies and Gentlemen, my Dear Friends, Colleagues and my Dear Family og hæ – krakkar!

I would like to thank Mr. Christoph Stolzl and Mr. Halldór Guðmundsson for their kind words and all of you for this great honour.

I you ask an Icelandic child about Hamburg the first thing that will come to it’s mind is the word game that is often played when travelling in a car: “What are you doing with the money the lady from Hamburg gave to you?”. You must answer but you may not say “yes”, “no”, “black” or “white”. So you say: I bought a car. Was it red? Indeed – it was read? Not blue ?- No… Then you are out.  So it was funny when I told my children we would actually meet the lady from Hamburg. But we had to use the money on something very special – something between yes and no, black and white. Maybe that is the real space where art lives.

But why did I take this path in life? If you ask my psychologist he would say that it is because I have two mothers – they are identical twins – that creates a very good ground for a strange mind and some complexes – a douple öedipus to deal with for example. Despite sharing the same genes and upbringing – they have opposite veiws on everything. That I might have from my mothers, the ability to see things from two correct perspectives and never quite agree with myself. 

If you would ask my brother he would blame it on Lego – I hoped I would never grow up from Lego. But later I found out that Lego is quite like language – you have prefabricated parts but can build a whole world from them. But the cool thing is that language is bigger, more bricks – and endless colors. Even an old language spoken by very few people – like Icelandic, can be used to create almost anything. And then it can be translated to German or Chinese.

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The Award ceremony  for Andri Magnason recieving the Kairos Award took place in Deutches Shauspielhaus in Hamburg the 28th of February. Here you can read speeches by Christoph Stölzl, Halldor Gudmundsson, Andri Magnason and see pictures from the ceremony on the website of the Alfred Toepfer Stiftung F.V.S. Here is more information about the Award and the people awarded by the Alfred Toepfer Stiftung:

The KAIROS Prize which was first awarded in 2007 represents an innovation within a rather distinguished post-war history of price giving through the foundation. Previous winners of prices initiated by the Alfred Toepfer Stiftung F.V.S. have been, among others, Harold Pinter, Pina Bausch, Samuel Mendes, Imre Kertesz, David Hockney, Cees Nooteboom or, more recently, Olafur Eliasson. 

The KAIROS Prize is honouring European artists and academics from the fields of the fine and the performing arts, music, architecture, film, photography, literature and journalism. The award is designed to be given above all to individuals for artistic achievements, but also to producers, festival directors, publishers or gallery owners whose activities take place outside of the public limelight – in short, to creative personalities who give important impulses to art and culture in Europe.

The KAIROS Prize is endowed with the amount of 75.000 € and aims to honour outstanding individuals working with entrepreneurial spirit, persistence and creativity in the field of European culture and intercultural understanding. The prize is named after the Greek god KAIROS –  the god for “the right moment” –  as it seeks to encourage and promote younger artists, curators, managers in the field of culture or science at “the right time in their career”. It is neither an award for life time achievement nor a singular project, but rather seeks to identify early achievement, special work in progress as well as potential for future sucess.

The KAIROS Prize is awarded annually in Hamburg by the Alfred Toepfer Stiftung F.V.S. An independent committtee decides on the awarding.

 Committee of the KAIROS Prize

Christoph Stölzl, (chairman) historian, politician and senator retd

Christine Eichel, author and journalist

Nike Wagner, art director of the Weimar Arts Festival “pèlerinages”

Armin Conrad, editor-in-chief at 3sat kulturzeit

Rainer M. Schaper, director of the culture department of Swiss television and member of the executive board 

The Alfred Toepfer Stiftung F.V.S has announced that Andri Snær Magnason will be the winner of the Kairos Award of 2010. The Award Ceremony will take place at Deutches Schauspielhaus in Hamburg, february 28th 2010. 

KAIROS — A European Cultural Prize awarded by the Alfred Toepfer Stiftung F.V.S.

Since its establishment the foundation has awarded various cultural prizes of different endowment throughout Europe. Reflecting the changing social, political and cultural conditions of contemporary Europe, most of the previous awards were discontinued in favour of one newly conceived and at the same time higher endowed prize. The KAIROS Prize which was first awarded in 2007 represents an innovation within a rather distinguished post-war history of price giving through the foundation. Previous winners of prices initiated by the Alfred Toepfer Stiftung F.V.S. have been, among others, Harold Pinter, Pina Bausch, Samuel Mendes, Imre Kertesz, David Hockney, Cees Nooteboom or, more recently, Olafur Eliasson.

Dreamland will participate in a few nordic film festivals next week and author Andri Snær Magnason will participate in readings, debates and q&a’s after the film.

READING IN HELSINKI THURSDAY

On thursday Andri is having a reading in Helsinki in Nifin. 

DOCPOINT HELSINKI

Dreamland is the opening film of DocPoint Helsinki and is proud to be the opening film of the first DocPoint festival in Tallinn.On Friday Andri Snær Magnason, one of the directors will attend a screening of Dreamland in Helsinki and answer questions from the audience.

GÖTEBORG FILM FESTIVAL

Dreamland has been invited to the Göteborg film festival. Here is some information about the screenings, saturday the 30th of january – (sold out), sunday and monday.

PANEL DISCUSSION GÖTEBORG

On sunday, january 31 at 17:00 there will be a panel discussion based on Dreamland and the film festivals concept, Sharing. Among participants in the panel is mr. K-G Hammar – former Arch Bishop. Here is some information:

Sunday. 31. January. 17.00 Atalante. Sharing: The Resources of nature

The environment is what we all share. The question is how we share it. In his documentary Dreamland, Andri Snær Magnason focuses on the crossroads at which the Icelandic nation stands: should they put their money in the aluminum industry or concentrate on preserving the Icelandic nature? What is the value of a mountain? Snær Magnason´s film serves as a starting point for a panel discussion about the good and bad consequences of globalization, and about the role film and art at large can play in relation to environmental issues. 

Moderator: Anders Johansson, PhD in Literature Panel: Andri Snær Magnason, director, K-G Hammar, Visiting Professor in Theology, Caroline Peterson from the magazine Camino, and Tyrone Martinsson, photographer and researcher. The seminar will be held in English. A co-operation between Göteborg International Filmfestival, Glänta, Göteborgs Fria Tidning and Svenska Kyrkan

In Oslo there is a Human wrongs film festival 3rd – 7th of february 2010 where you can see Dreamland. In Copenhagen there will be a screening the 4th of February 2010 in Nordatlantens brygge. Andri Magnason will attend the screening. 

CINEMA POLITICA

Last but not least – if you are in Canada – screenings by Cinema Politica in University Campuses are going on. Toronto tomorrow. More info here.

Cinema Politica.

Dreamland is being screened in various universities in Canada by Cinema Politica. The film has been very well received by the people of Cinema Politica and call Dreamland, “One of the best environmental films ever made.” - Here is a film review from The Concordian.